Tuesday, November 5, 2013

Reverie II.

"My life's a shadowless horse
If I can't get across
To you"
~ Marc Bolan (T. Rex)

Not too long ago, I was told by a certain Lady that I need to get off of my Dark Horse, by which she meant: resist the temptation to rebellion for rebellion's sake. Nowadays, horseless, I am ignored by the larger mass of humanity, it seems. So I think ...

As I sit here, in my little room, with Eliot, Whitman, Poe, Machen, LeFanu, the Bhagavad-Gita, some Old and Middle English lyrics, etc., by my side, -- as I sit here, I think of certain writers, creatures of an atmosphere opposed to the development of ethical existence (perhaps) but certainly amenable to -- and nurturing of -- silent meditation upon one's loves, and expression (in the form of linguistic constructs) of one's ego eimi ho On (cf. Exodus 3:14, Septuagint).

As I sit here ... and recall: Machen lived in a tiny garret, subsisting (quite like myself) on green tea, tobacco, and scraps of food snatched opportunely whenever hunger became a nuisance. And he wrote (as I do) under compulsion of boredom. Only difference: he had no laptop, no cellphone, no instant communication with/to so-called people ... He was alone. As I should be. But I write to others, seek acceptance, hope for love. Yes, I said it. Loneliness sucks. There's my 21st century provenance smacking its lips. Oh well ...

What would I do, I ask myself, if I were living in some attic in, say, Providence RI (Lovecraft land) with no phone, no computer, no persons? I'd probably go insane. So much for 21st century English letters. Belles lettres. I wish. To write something as propositional as Eliot's Waste Land , as circumlocutory as Whitman's Song, as claustrophobic as Poe's Amontillado tale, as cloying as Machen's Pan, as rending as LeFanu's Carmilla, as deeply gulf-defying as the Bhagavad-Gita, as brown and green and new and old and crisp as a morning with Mom yelling and the woods calling as the Anglo-Saxon and "Alliterative Revival" masterpieces ...

As all that.

What would it take? Some time spent in a dusty room, masturbating into sheets, drinking cold tea, eating salmon out of a can, reading the same lines over and over and over and over ... waiting for a theophany on the wall?

Perhaps just what life serves up. A shitload of disappointment. A plate of angst and emotion and sad eyes thinking of relief, of horrid testimony to some ancient era living only in foggy memory with a bit of eloquent phrases tucked on the side, with a friend who knows, a lady who blows, a tramp with a tattoo, a promise of life-after-death, some type of monster living on unknown and unknowable STUFF, regret teeming like wasps, slug-like growths on my paper, destroying the old days, laying waste to all that was ...

Overly dramatic

A whimper not a bang

The white flesh palpates, the small foot disappears for a moment, and I reach for the solace of her body. She was a succubus of the highest order, Huysmans would've loved her. I didn't, and I paid.

Alone again.

Et je ne trouve pas ma maison

Malaise

A free verse poem by Edward Moore ©2013

“…flesh without intellect, repellent to the eye, nose and imagination.”
~ H. P. Lovecraft

Intellectually inferior people make me sick to my stomach.
Those with no love for animal life make me sick.
I am sickened by the raw discourse of stunted minds, the lame clamoring of lost souls for whom religion is a claim …
I am sickened by the style of life that reduces all affirmative emotions to the status of breeding signals.
Too sick to do anything about it, I am sickened by the timelessness of stupidity, the universal appeal of the idiot.
Dostoevsky knew the formula: the lover of life so disgruntled and heartsick that he comes to hate the raison d’etre that has animated him for so long.
Whitman had a sense of the end of things.
“There was never any more inception than there is now,
Nor any more youth or age than there is now,
And will never be any more perfection than there is now,
Nor any more heaven or hell than there is now.”
Indeed, the end is already here, and always has been.
Life lingers in dark corners, bare rooms, minds plagued by self-doubt, recumbent illusions, dreams of perfection tainted by brown liquid …
Life persists in minds drawn to the past, where illustrious figures stomp across silent fields, dreams of childhood, when a wizard was possible …
Life persists in a little studio in Philadelphia, where an Arethusa flows her liquefied body across a hardwood floor strewn with cans, wires, and Sathanas-knows-what …
Life persists in a café on South Street, where memories of my wife scrape like the overgrown nails of some demonic baby …
Life persists in New York City, on a pissy bench where my last drop of brandy has found a home in my khakis.
Life persists in a park in New Jersey, a dead phone and someone handing me a beer.
Life persists in a bedroom by the shore, some repentant drudge asking me how I like my eggs …
Life is a clan of basking lizards who have forgotten that Brazil is not such a bad place to be, right now …
A savior is something of which I’ve written: a hand to draw forth the pus of a wound too deep for tears.
A savior like Seth, who is alien – HETEROS -and uniquely qualified to draw our minds to the place where they really need to be, beyond the sun ...
The noetic sun beyond the sun beyond the sun ...
Neoplatonic life purges this realm of its raw idealism.
Existential malaise gives me to stay, to drink, to love, to stand alone, to promise others, to pray to a god in whom I do not believe, to read Ayn Rand, to vomit over Bukowski, to steal a glimpse at the sweet showers of April, to answer the phone, to regurgitate post-modern formulae, to pretend to care about some bitch and her kid, to give a dollar to a bum, to eat pizza at noon, to stay sober in spite of myself, to ask for a loan, to pay it back, to stand up to a big dude (who could easily kick my ass) just to impress a chick (and to actually escape), to satisfy her, to satisfy myself, to remember just how the Vorspiel to Das Rheingold moves my heart, to illuminate some dark passageway for a friend (speaking of Dante), to silently await my own savior in the form of … in the form of … in the form of …
Hue, April Formosa, veni! Vocat aestus in umbram
Giant palms shading our eyes, our hands tickling playfully …
Such a paradise is a dream, only.
Flesh should be the receptacle of Beauty, not of Intellect …
Mind is too vast to require a partner.

Fragment

"... when we do not know, or when we do not know enough, we tend always to substitute emotions for thoughts."
~ T. S. Eliot

The act of thinking, which produces thought(s) [there is no such thing as Thought, as an abstract entity] is concerned wholly with the formation of concepts -- and concepts are linguistic structures. In response to the seething morass of sense-impressions, emotions, and general existential turmoil encountered by us on a daily basis, we use language as a means to organize and control this chaos, to stave off madness, and ultimately to create a meaning that is both personal and communicable -- through tropes and various figures -- to the more-or-less attentive world of others.

Focused thus on making sense of the unweeded garden that is the life-world, we find (upon reflection) that we are interpreting our reactions, giving form to something (our emotion-based thoughts) that arose out of chaos. We are therefore creators, not knowers. To know means to see clearly. Surely, by knowing we become ourselves objects. to be analyzed and carefully fitted into some conceptual schema that we formulate, and yet which is somehow other than our creative self. To know myself means to objectify myself, to become other than the one doing the thinking ... This begs the question, of course: Is this even possible? My act of thinking is bound to my experience, the here-and-now.

"Life piled on life
Were all to little, and of one to me
Little remains: but every hour is saved
From that eternal silence, something more,
A bringer of new things"

~ Tennyson, "Ulysses"

I cannot objectify myself. I cannot rest from ego trips. The name that I am become is a trope for all that is essential to life. A "power greater than myself"? No such thing. For others are capable of producing context, restraint, laws, the envy of accomplishment that drives the flower, etc. ... But only I am capable of providing the atmosphere that renders all this hule aesthetically pleasing. To whom? To myself. The only judge that matters.

Comfort in the form of a legislator independent of my thinking self is an illusion of salvation. Healthy people seek to be saved from themselves. Such are human beings, normal and part of a world that has evolved along more or less life-affirming lines. Exceptional people seek not to be saved, but rather to transform their personal atmosphere into an ideal realm into which to retire, at will, for the sake of prosperity in the only life worth living.

Saturday, November 2, 2013

Wulf and Eadwacer (text and translation)

(Anglo-Saxon poem, ca. 990 CE)

Leodum is minum swylce him mon lac gife;
willað hy hine aþecgan, gif he on þreat cymeð.
Ungelic is us.
Wulf is on iege, ic on oþerre.
Fæst is þæt eglond, fenne biworpen.
Sindon wælreowe weras þær on ige;
willað hy hine aþecgan, gif he on þreat cymeð.
Ungelice is us.
Wulfes ic mines widlastum wenum dogode.
þonne hit wæs renig weder ond ic reotugu sæt,
þonne mec se beaducafa bogum bilegde;
wæs me wyn to þon, wæs me hwæþre eac lað.
Wulf, min Wulf, wena me þine
seoce gedydon, þine seldcymas,
murnende mod, nales meteliste.
Gehyrest þu, Eadwacer? Uncerne earmne hwelp
bireð wulf to wuda.
þæt mon eaþe tosliteð þætte næfre gesomnad wæs,
uncer giedd geador.

Wulf and Eadwacer
(English translation by Edward Moore)

My people are watching him
Waiting to slaughter him
for a sacrifice
Should he come too close to the clan

We are estranged

Wulf is on one isle, I on another
Like a fortress is that fen-wrapped island
Slaughter-cruel men swarm that island
Waiting to slaughter him
for a sacrifice
Should he come too close to the clan

We are estranged

With wild hope my thoughts dogged my Wulf
During rainy weather I sat wailing
Disconsolate
Until battle-strong arms embraced me
Bringing both pleasure and pain

How I pine for you, my Wulf!
Desire has made me sick
It is our meetings I miss, not meals

Do you hear, Eadwacer?
Our wretched whelp is dragged to the woods by a wolf

That one tears apart what was never whole

The tale of the two of us, together

Beautiful Forms and Protean Minds

"... so does the stream of beauty, passing through the eyes which are the windows of the soul, come back to the beautiful one ..."
~ Plato, Phaedrus
"Apart from self-knowledge, one of the most notable examples of intuition is the knowledge people believe themselves to possess of those with whom they are in love: the wall between different personalities seems to become transparent, and people think they see into another soul as into their own. Yet deception in such cases is constantly practised with success; and even where there is no intentional deception, experience gradually proves, as a rule, that the supposed insight was illusory, and that the slower more groping methods of the intellect are in the long run more reliable."
~ Bertrand Russell, "Mysticism and Logic"

Those blessed few that still read quality works of literature are surely aware of Plato's reflections on love in the Symposium, where he has Socrates explain the ascent form purely physical passion to the highest love, which we may call the erotism of the Intellect [I borrow the term "erotism" from Georges Bataille, who used it to refer to any passion productive of ecstasy, more or less]. Since the trinity of Truth, Goodness, and Beauty was for Plato the highest level of contemplation (theōria) to which one may attain -- and since this trinity is fixed, stable, and eternal -- it goes without saying that operations of the Intellect cease at the moment this rapturous event occurs: union with that triune source of All. The thinking self need fear no disappointment, for there is nothing illusory about a purely noetic form, or Idea (according to Plato).

But then there are those non-Platonic folks (most of us, nowadays, I daresay) inclined to agree with Wallace Stevens, when he writes that "Beauty is momentary in the mind — / The fitful tracing of a portal; / But in the flesh it is immortal. / The body dies; the body’s beauty lives ("Peter Quince at the Clavier" IV.51-54). Indeed, the physical beauty of the beloved lives because it has passed through the eyes of the lover ("fitful portal") to be rendered back as a reality for both. (Is this not the theme of Shakespeare's Sonnets?) There is a type of mysticism in both the Platonic and the Stevensian notions of beauty and the love it inspires ... It is a mysticism of the momentary: the moment that is so sublime, it produces in the one experiencing it a sort of painful awareness of the ephemerality of all things, even (and especially) the most precious. Therefore, the desire to preserve that moment takes precedence over all rational thought, analysis goes out the window, and self-awareness takes a backseat to the instant fulfillment provided by that intuitive response which, as Russell pointed out, is so powerful precisely because it is so immediately convincing. The truth of beauty resides in the fact that we don't need ever to decide what is beautiful: the eyes are fixed, the heart pounds, the loins spring to life ... Who wants to engage in rational analysis at such a moment? Presereve it as something sacred! Worship it and sacrifice the self and its desires on the altar of the Other ... This happens to everyone, from concupiscent high school students to gently smoldering septuagenarians. We never learn. But would we have it any other way?

Back to Plato. "Know thyself" was inscribed on the lintel of his famous Academy. It is rather paradoxical that the highest achievement of his philosophical system (and he did have a system; cf. my Plato (Humanities Insights), 2010) was a merging of the self or person (hupostasis) with the transcendent source of All. To know thyself as such is to know oneself as a momentary spark of life, close to an illusion. To borrow a line from the late Lou Reed, "something flickered for a minute, then it vanished and was gone." He was referring to an orgasm, of course ... and Plato might as well have likened the human person to a spurt of cosmic seed -- albeit on infertile (illusory!) ground. Demeaning the self to such an extent, just to preserve the sacred fixity of our desire's object, is a rather large price to pay for "spiritual" comfort, or, more accurately, lack of disappointment with this coterie of desperate organisms we call human life.

Cold and calculating (inhuman!) is the one who analyzes every emotion, and beats him/herself up if that emotion doesn't pass the test of reason and logic. Such a one is doomed to an endless cycle of self-doubt, lukewarm friendships, and mechanical sex. Of course, such a one (assuming any such creature exists) will rarely, if ever, be disappointed; but the price is loss of those experiences that engender the tumultuous and conflicted and ever-generating work of art we call the human person.

The pain of having been deceived by one we love can be assuaged in several ways, the most common being the stock phrase "I never knew you!" (or "You are not the person I thought you were!"). When we say such a thing, we are practicing self-deception. The beloved was the "apple of our eye," the "cat's pajamas," the "bee's knees," etc. ... But then something happened, something changed -- and change, for a Platonist, is the worst lapse of all, for it is a lapse into non-being, or illusion -- and the person we love(d) is no longer t/here. Reason kicks into high gear, and allows us to explain this change as not really a change at all, but a coming-to-light (aufklärung) in the clearing of which our own self-deception (due to our failure to rationally analyze the emotion as it arose) is seen to be the cause of our disappointment. It is not the beloved who is at fault (even though s/he might be a charred imp of the pit) but our own fallible self. We promise ourselves, going forward, to be more rational in our dealings with beautiful forms and protean minds.

In the present age, filled as it is with willful superficiality, one is left to ask how reason might continue to speak. Intuition, even, is being dulled by the aimless flux of digital media and knick-knack "information." Heraclitus' river, at least, flowed steadily in a single direction. Certain catch-phrases now current, such as "It is what it is," or "Life on life's terms," indicate to me a separation of the self from the concrete reality in which it dwells. Many among us have become observers, though not with loving eyes -- nor even with bitter, resentful eyes -- but rather with indifferent eyes ... and that is far worse. An excessive emotional affectibility is preferable to the insensibility of the average non-poetic clone of our time. The best one can do is allow reason to make excuses for the volatility of one's nature, and to continue to yearn for and love beauty, in the flesh, and live a life of the mind that provides excuses, conceals sorrow, and shows forth only the best.

Thursday, October 31, 2013

Reverie I.

Beneath the blossoms with a pot of wine,
No friends at hand, so I poured alone;
I raised my cup to invite the moon,
Turned to my shadow, and we became three.
Now the moon had never learned about drinking,
And my shadow had merely followed my form,
But I quickly made friends with the moon and my shadow;
To find pleasure in life, make the most of the spring.
Whenever I sang, the moon swayed with me;
Whenever I danced, my shadow went wild.
Drinking, we shared our enjoyment together;
Drunk, then each went off on his own.
But forever agreed on dispassionate revels,
We promised to meet in the far Milky Way.

~ Li Po (Li Bai)

Some time ago, another place and another mind, I found myself alone on a bench beneath a tree in what I thought (in my Mr. Flood-like state) to be a public park. It was late at night, and I was temporarily homeless; the “temporary distraction” (as I euphemistically called the harpy with whom I had been living) had kicked me out of her apartment. I was unconcerned, for I had a full bottle of gin and the night was warm and clear: stars wheeling overhead, the gently swaying branches of a stable, thick-limbed tree … oh, and the bench was partially rotten, sagging comfortably beneath my lax body. ‘Twas like unto a hammock.

For some reason, I was not willing to admit that I was in a crisis. Like Li Po I had three friends, only mine were the tree, the bench, and my own supine self. Thus integrated into that private ecosystem, I realized that certain moments are emblazoned forever on the mind, and are set to become monuments of or to the self, which is always in motion, even if its vehicle is temporarily disabled. It is part of the human quest for meaning to seek a reason for every situation, to follow some sort of tracery leading (supposedly) to a grand unified theory of personal existence. Well …

I refuse to follow Herrick and compose a farewell poem to my beloved booze, for we know that he ended up composing a poem celebrating his return to his favorite inebriant (called “sack” back then). Jinxes are psychological realities, alas. I am instead merely subsisting on tea, non-trigger music, and a rather forced zeal to write. This much is clear, and was clear to me beneath that tree on the bench: some events in life are morally and ethically neutral. They can serve as raw material for later use, perhaps, but neither good nor bad (indifferent, perhaps, as in the Stoic ADIAPHORA, but only for the moment in which they arise) – they are signposts leading toward a plot of ground on which the creative mind will erect a shrine to its own unicity.

Labor of this kind is invariably lonely. Eventually, as Li Po understood, each will go off on his or her own, with some outrageous promise to meet again in some impossible place or circumstance. The melancholy produced by this inescapable operation of inter-human existence can be as intoxicating as the contents of a bottle – and as addictive.

In the morning, when I awoke to the sound of crackling police radios, and opened my bleary eyes to see two amused officers looking down at me, the transformation had already taken place above and around my sleeping form. ‘Twas no park, but the ornate (if poorly manicured) lawn of a private residence. Bottle of gin at my side (empty) and rotten bench nearly touching the ground … I was kindly permitted to return to the cavern of Shelob whence I had come.

So now what? Li Po was wise enough to simply allow the language to take the shape of the event. Organic subjectivity. How’s that for a designation? Resisting the lure of analysis is hard for me. Re-presenting the immediacy of a moment through language? Well-nigh impossible.

Where have all the great poets gone?

Nevertheless …

Beneath a tree, bottle in hand
Breeze and my breath and a smack of the lips

As the fire infuses my form, I greet the tree
My friend the bench makes three

Da Vinci’s Ginevra understood the gin
And I daresay the night does too

A moment to myself in the inky night
A discovery: careless collapse and joy are kindred

I hum to myself as a gnat tickles my nose
I smile at the unexpected even as I shiver at some thought

She: a phone call away
I: a universe to my Self

Tangled like Neaera’s hair, we’re not through yet
Tomorrow a steep descent, or perhaps salvation for both

...

That sort of thing was acceptable in 8th century China. The United States in the early 21st century? That’s another matter. “A half savage country” indeed.

Wednesday, October 30, 2013

It's hard to explain the Rig Veda to an Existentialist

(or is it?)
"In the beginning this One evolved
Became desire, first seed of the mind.
Wise seers, searching within their hearts,
Found the bond of Being in Not-Being
~ Rig Veda (Nasadiya) 4

Reverse this poetic formula, and say that the desire for meaning begets Mind, and that Mind is the blank space into which our desires spill their seed, hoping to fertilize the oblivious Absurd -- then one has likely "existentialized" an ancient Hindu text.

When one is counseled to find a power greater than oneself, for the purpose of recovering from a certain disease of the mind and allergy of the body, one can go in circles and call this Higher Power the act of mind that seeks a Higher Power, and so on ... It won't end. Desire -- the well-spring of all that is good, bad, indifferent, or just pointless -- depends upon a willing agent. Even when the desire is for absorption into the cosmic organism, or just plain dissolution, there is no meaning when the agent is absent. "Time is no healer," as T. S. Eliot put it, for "the patient is no longer here" (Four Quartets, "The Dry Salvages" III.). Eternity is no healer either, for the patient is as if he'd never been.

I've no patience with any religion, philosophy, or "spiritual" system that belittles the existential center, the Ego (in the Classical Greek sense of the term, and in Ayn Rand's sense) and calls for a shedding of all the temporal encrustations that make the person the "unique, unrepeatable entity" that is the only ground for morals and ethics -- even in a post-modern environment where those terms are endlessly abused, ironically invoked, or transmuted into other signifiers by the great alchemy of differance ...

"Never have I not existed,
[says Krishna]
nor you, nor these kings;
and never in the future
shall we cease to exist."
~ Bhagavad-Gita, Second Teaching

From an Existentialist point of view, this statement renders the entire concept of personhood (and it is a Western concept, stated in Greek as hupostasis) meaningless; for the person comes to be in time, orients himself to the world as one who is in the process of becoming, and experiences continuity with the rest of the world (the community of others, if you will) only by way of existing as his own foundation (literally "standing under") -- which is precisely the meaning of the ancient Greek term, which we receive by way of Latin as "subject" (of, to, etc.)...

The great void out of which I emerged (and which I conceptualize only through a desire to know myself, which is a creative act) and into which I shall someday return is the sole reference-point for my personhood. Anaximander called it apeiron. An anonymous Anglo-Saxon poet described it analogically as the storm-wracked night out of which a bird flies, to enter the mead-hall for a brief spell of light and warmth, only to return again to that darkness.

Somewhere we have lost, as a culture, the love of the light of this day, the here-and-now, that makes creativity and personhood (the two are so inextricably bound as to be near synonyms) a necessity -- if we are to glorify this world for it's own sake, and not for some utilitarian end. For "Life piled on life / were all too little," as Tennyson so movingly put it ... "and of one to me / Little remains" ("Ulysses").

Being-toward-death or Being-toward-salvation: the great dilemma separating the atheist from the Christian Existentialists. Sartre versus Kierkegaard. Heidegger versus Bultmann. Moore versus AA. And so it goes.

"He who is in the sun, and in the fire and in the heart of man is One. He who knows this is one with the One"
~ Matri Upanishad

That is to say, no person, no subject, no desire ...