Tuesday, September 17, 2013

Time is one No One’s Side
What might have been is an abstraction Remaining a perpetual possibility Only in a world of speculation.
~ T. S. Eliot, Burnt Norton
In an essay from 1919 Eliot said some shit about the personality being something that personality-strong persons should want (occasionally) to escape from … Load of shit (as far as I am concerned). He said:
“… of course, only those who have personality and emotions know what it means to want to escape from these things.”
If I could escape, even through art, from my personality (hupostasis) I would cease to be Edward. Fuck that! I’d rather be the drunken, rambling pseudo-poet that I am, rather than some plastic “artist” living as an artifact of his “tradition.”
So much for Eliot.
But what about REAL poetic theory? Is there such a thing?
My answer is yes. And I shall use my beloved as an example:
Sylvia Plath strangled her own life for the sake of her art … She watched her children crawl about like slugs as she wrote the masterpiece known today as Ariel. She died for her art, and I am prepared to do the same. Here’s what SHE had to say:
“… everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.”
Eloquence (and proper grammar) might be absent from her statement, but the sentiment (all-embracing) is there!
Sylvia is telling us that the highest to the greatest is cause for poetry. A quick blowjob in a subway station, or a major fuck in a five-star hotel (you see where my mind is at!) … All are worthy of poetry.
She herself was worthy of poetry, and I’d like to write about her … I just don’t feel worthy. So here I am going to perform a shameless imitation of my beloved. Harold Bloom would likely approve (and for those who understand this reference, you get my silent applause). So here I
go: Listening to Van Morrison While Guzzling Vodka
A drink of water laced with vodka slows my soul But sets it moving Why does Born to Run suddenly seem like great poetry? Because I am drunk. Why do I think back to those golden days when I fed ducks in the parks and spoke cryptic words with my grandpop? Because I recall what it felt like to be HUMAN. Days take their toll, and love dies … What is a man to do? We … I … must remember that my soul resides only in this world: In the air, in the trees, the geese, the grass that tickles my feet … I must remember … I cannot. A veil has fallen. Something called …. Who fucking cares?!! A veil has fallen. My eyes are dim … not like Milton’s, but like a drunk who stares too long at Botticelli. So what, then? The world recedes and I call out to it with the only faculty I have left: my voice. No one answers. So I spit at the world and await a fight that I know will never come ….
And so my Sylvia awaits an academic reply. Sorry Sweetie, not yet … too much vodka in my system. Someday, my glorious angel, I shall do you justice in “academia” (whatever the fuck that means).
In the meantime, I shall lend you this:
“Curiosity killed the cat … Kerouac’s Dharma Bums and On the Road …”
OR BETTER YET: Sylvia’s Colossus and Ariel!
You surpassed all of them, my love … all of them.
I’ll see you when my love grows, Sylvia … It won’t be too long. We’ll soon embrace.
In the meantime, take my tribute as a poetic memorial (if such a thing exists – we’ll have to ask Shakespeare!) and remember:
A world of experience does not create a person. For no creator exists. Not even the world.
Let us love from beyond the grave, ghoulishly, if it must be …

Philadelphia: the crust of plebeian scum

In Philadelphia
“It's a town full of losers
Then we're pulling out of here to win”
~ Bruce Springsteen, Thunder Road
When I first read Lovecraft as I child, I didn’t believe that towns could have personalities. How wrong I was!
A certain substance of impersonal conformism pervades the town of Philadelphia (it doesn’t deserve the appellation “city”)
Tattooed men and sluttish women
Those with various diseases, writhing forbidden in rooms not their own
A fellow with a penchant for philosophy and poetry fucking a bitch ten years older in a room with no hot water
Why?
Time takes its toll, and makes us all slaves to its sluttishness
My first orgasm was a revelation of otherness
My second was dirty
My third: PAINFUL
My fourth and final a gaze into eyes belonging to a dark demon, an eye of the pit, with no love, no mercy, nor any sense of inter-personal passion.
That gaze was celebratory of only the deepest spasms of the body
Not of the soul.
When the monsters showed up at the door and I stood my ground
Everyone surprised (including me)
I felt like a god!
They all ran off.
Me in my Armani suit and silk shirt scaring off dudes with big muscles
Who would’ve thunk?
But it happened.
I have only myself to thank.
I took the worst the world has to offer, and I gave back my own violence
Which is deeper and more powerful than anything lurking here in the sun.
After All … Wordsworth was Right!
Nature is the only source of poetry …. Although I AGREE WITH Coleridge that the language of the common peasant is not sufficient to convey the intricate pronomials of Nature that a reflective mind demands.
But Wordsworth, who said that “poetry is the spontaneous overflow of feelings: it takes its origin from emotion recollected in tranquility” (Preface to Lyrical Ballads, 1802) was more than right.
We sit and wonder why the world grins and smirks at us with a manner approaching derision
.
It is because we refuse to allow our bodies and minds to be taken away – into a realm of Lovecraftian space – by the immortal Beauty that lands itself before us.
One day I sat in a park, drinking vodka, and watched a couple (hand-in-hand) walk about the lake …
And I felt derision.
The next day, seeing the same spectacle, I felt hope.
Moods change, but people prevail.
Tomorrow may bring a monster or an angel, or a some half-life Ialdabaoth betwixt BOTH.
OK
In the meantime, Edward is here, dying, waiting for his beloved.
She is resolutely unavailable.