Wednesday, April 30, 2014

Specter V

I am Defeated all the time; yet to Victory I am born

~ Ralph Waldo Emerson (Journal K, 1842, # 283)

There are many who labor under the delusion that life is simple, that all one must do is be honest, work hard, take care of family, and cause no harm to others. Yet life is more complex than we would wish. Regrets are buried, only to rise at the darkest hours of our life to overtake us ... Guilt for wrongs done to others (intentional or not) invade our psyches like potent vampires, reducing our well-filled intellect to a husk, a dessicated rind of nous left to rot unused and unremembered.

How can one forget one's mind? It happens all the time.

A man hardly knows how much he is a machine, until he begins to make telegraph, loom, press, and locomotive, in his own image. (Emerson, Conduct of Life, Part 2)

This act of making, which reduces the role of the human to a mere function, causes the mind to forget itself. How often have we heard someone say "I get lost in my work"? Rarely do we hear anyone say "I have discovered something new about myself!" This discovery of self (which IS possible!) is difficult; and there are those who seek shortcuts. I am such a one. My shortcut has been alcochol which, to quote Bob Dylan, "levels my head and eases my mind." Yet it nearly killed me. Defeat was closer than I ever thought possible. Victory is a promise -- but like all promises, there is always the possibility that it may prove empty.

Service to others is the popular mode of exorcising the demon; yet there are those who dwell alone in this world, for whom the other is, as Sartre put it, hell. Loneliness demands that the mind turn in on itself, in what sometimes amounts to a morbid preoccupation with one's own thoughts. Yet this preoccupation, or (as I prefer to put it) self-reflection or theoria ("contemplation"), is necessary if one wishes to preserve what is essentially human in us: the life of the mind, the creative impulse, the Byronesque self on the mountaintop, defying the world with one's own glorious defeat.

That being said, I disagree with Emerson that the Crucifixion was a defeat, however glorious. It was indeed a victory of the highest order. For this world is chaotic, purposeless and poisonous to the sensitive, self-reflective person. Christ with His defiant love is a model for those who know that defeat is inevitable, and that victory is nothing more than a noble defeat, a conquest of this world by a rejection of its mindless machinery.

Monday, March 31, 2014

Specter IV.

On Listening to Sibelius on a Wild and Windy Night
{Substitute for Spectre IV.}

I.

There I walked, and there I raged;
The spiritual savage caged
Within my skeleton, raged afresh
To feel, behind a carnal mesh,
The clean bones crying in the flesh.

~ Elinor Wylie, "Full Moon"

Power cannot produce purity, no more than artifice can craft Truth. Anyone who has listened to the violin concerto of Jean Sibelius -- and listened with attention -- will understand this statement. The gentle, lachryomose lines of the first movement quickly give way to a violent outburst of emotion, a calculated effort to draw the listener into a world of angst ... Calculation, yes ... But no deception. This piece is one of the most honest compositions I've ever encountered. I attempted to perform it as a youth. I stumbled on the platform, scraped and missed several arpeggios ... oh

well.

Time and again my feelings let me know ... there is a power raging inside of me ... a force destructive, personal, and constitutive of my life ... I prevail because I am pissed off. That concerto rages until the end, when the silence overtakes the exhausted violinist ... The silence not of the grave but of the burnt-out soul, which hastens to its end, but not with a whimper ... a BANG!!!

II.

... ill doing ... or loss or lack ... or depressions or exaltations,
They come to me days and nights and go from me again,
But they are not the Me myself.
~ Walt Whitman, "Song of Myself" (4).

Crackles of the heart, phone calls, explanations, seeking understanding, a rage of emotion, an analysis that breeds only scorn ...

She keeps herself at home, with a sweaty body in the bed that used to be mine: Whore of a Woman! Death be upon you!

No: Love keep thee,
and let me know it again.

You fucking slut.

III.

A terrible grazhny vonny world, really, O my brothers. And so farewell from your little droog. And to all others in this story profound shooms of lip-music, brrrrrr. And they can kiss my sharries. But you, O my brothers, remember sometimes thy little [Edward] that was. Amen. And all that cal. ~ Anthony Burgess, A Clockwork Orange (slightly modified to include MY name) She rots in my mind like a fester ... She sticks in my maw like a poppy seed that causes irritation ... She scrapes my shit along the toilet at 3:00 AM and expects me NOT to drink. Bolshy yarblockos to that witchy whore! At the mid-point of my life ... Dante-esque ... If I wanted Love I'd have it now. Are you out there, you cosmos-shattering disgrace to femininity? No. You have someone else's sweat in your bathrobe. April is indeed the cruelest month -- and to ME the cruelest Name. She knows her power and revels in it. I know my weakness ... And accept it. Shantih shantih shantih

Saturday, March 29, 2014

Specter III. {Justification}

I.

She would like someone to speak to her,
And is almost afraid that I
will commit that indiscretion.

~ Ezra Pound, "The Garden"

Timid women excite me. The trembling smile and quivering lips ... the blush and the quick turn-away ... Such a compliment!

How can it be that I inspire such reaction? I with the the alcoholic face and the darkling eyes ... The sullen rapport of self with self ...

Yet it happens.

Time and again the season lets me know the extent of ability, the reason behind the rhyme, the law of nature exhibiting a portal of solace to an abandoned soul. If there were no more women in the world, I would curl up beneath a tree in the park, gin bottle in hand, and slowly die, a death of peace and quiet contemplation ... A peace unknown to man since this garden began.

Contemplation: in the ancient Greek, qewria, a term reminding us of God, qeoV, and indicating that the highest form of thought is the turning of the mind towards Divinity. But there is no divinity, just a crackling field of energy extending far beyond the parameters of human thought.

We drag this energy with us, into the most unlikely and inauspicious of territories. At least I do. A pretty intern smiling down at me as I am pumped full of vitamins. Good. Let me live, even though I agree with my darling Sylvia: "Suicidal, at one with the drive / Into the red" (Sylvia Plath, "Ariel" 29-30).

Tired, lonely, and bored: such is the life of the mind in the age of quickness and effects. Chausson speaks to me, in his lonely poem for violin ... The exhausted drift of the melody as it forces the violin almost to the dramatic intensity of the human voice ... He knew.

II.

I don't know what
Po' weary me can do.
Gypsy says I'd kill my self
If I was you.

~ Langston Hughes, "Bad Luck Card"

Poe said that the most moving and effective subject for poetry is the death of a beautiful woman. We wish death upon those we love because we do not want an other to possess them! It is that simple. But a more mature manner of living dictates something more honorable ... Exit. The last statement of a soul in torment. Fine. But what of the impression? If I make an exit in any way undignified ... If I step into the void with no love to guide me to the destination ... Then what?

Exhaustion causes all kinds of maladies of the mind ... Excess of vision, a torment bordering on a cry for salvation ... Never!

Missing the point is natural; gaining the prize is superhuman, and insupportable. Solon said that happiness can only be gauged at the end of life. So why strive for it in youth, or middle age? We are all, as Pascal said, chained in a dungeon awaitng death.

Easily it may come. III.

I dewyne fordolked of luf daungere
Of that pryuy perle wythouten spot.

~ The Gawain-Poet, Pearl I. 11-12.

Indeed. To languish alone is the fate of many ... However, it is worse for the intellectual, who knows the extent of his emotional power, and the manner in which it shaped the lives of others. It would be impossible for me to sit in my room and watch sports all day, drinking cheap beer and eating chips ... It works for some, but not for me! Someone told me recently that my reclusive nature is selfish, that I need to get out into the world and share myself again ...

But I miss my pretty pearl without a spot.

Friday, March 28, 2014

Another pseudo-Haiku

A bright painting on a wall
My mind forgets itself
But only for a moment

Wednesday, March 26, 2014

A pseudo-Haiku

The bright white bus goes by
Thoughts of a dull gray mountain
There shall I return

Tuesday, March 25, 2014

Specter II. {The Insomniac Types}

I.

I gazed awhile
On her cold smile,
Too cold -- too cold for me ...

~ Edgar Allan Poe, "Evening Star"

Divinity that comes to us only in dreams and shadows is worthless, as Wallace Stevens stated. Vision of a lost beloved -- a vision that wakes us from the deepest slumber, and causes the dark mirror of night to reflect, simultaneously, cold reality and warm eidetic idealizations -- that, however, is worth something ...

It is not the actions of a moment that lead to demise, but the long count of years and accumulated outbursts of pseudo-insanity that -- alas! -- pass for the real thing.

A bottle of gin at ten in the morning, strolling the grounds of Christ College, Oxford ... Speaking of Basilides to a packed room as the liquor courses through his veins ... Just one of many "perverse" actions (as Poe might put it); just one of many self-destructive attempts to inject some life into the cold monuments of intellect besmeared by sluttish time ...

Her smile faded as the lecture began, as he slurred through Irenaeus and Hippolytus, the two versions of Basilides' cosmology: aeon upon aeon, multitudes of powers separating the soul from its home on high ... If reincarnation or, to use the Greek term, metempsychosis, is a reality, then I shall return as a worm at the bottom of a bottle of tequila.

So! Reality takes on the cast of a dream, especially on nights such as this when sleep is banished by a gilded oneiric specter of one who became an Ideal.

In the dream we were driving through a New England town (let us say Providence) and desire began to overtake us both. We stopped at a motel and checked in. As I watched her hips sway invitingly as she entered the room, I felt another urge: to feel liquid heat in my veins. A neon sign across the street invited me, and I excused myself ... Upon my return -- and here is the Ideal -- she was ready and willing, no condemnation, a precious body on a cheap bed, and I, staggering, gazed in agony at the fading vision ...

Upon waking, the cold smile of reality prevailed, but on the dark wall of my room that ideal Form lingered, the warmth of exceptance, the embrace of the Perfect. I know not which is worse: the memory of the cold stare as he slurred through his Oxford lecture, or the constructed perfection that exists momentarily in dreams and nocturnal reveries. Either way, this typing is an exorcism.

II.

The historic atmosphere was there, certainly; but the historic atmosphere, scientifically considered, was no better then a villainous miasma.

~ Henry James, Daisy Miller

Only a fool returns to the scene of his crime; only a desperate lover returns to the site of his loss ... or worse, to the places where he and his beloved shared their inaugural moments of romance and devotion.

A little bookstore tucked behind the Philadelphia library ... John Stuart Mill in hand, discussing his grand concept of personal freedom and the self-enslavement of those who dare not to be different ... Her soft hand in mind, fantasies of what was to come overtaking the academic discourse ... And so it began: a union of free hearts and free foreheads ...

Time that devours all, and the distilled substance that rots all: in concert, they prevailed ...

Then there was another ... A substitute, sweet and free and full of the energy of youth ... Together we walked the old pathways, ate at the same restaurants, shopped at the same stores -- even the bookstore, where I bought her an anthology of Western philosophy.

No love, just fetishism: my lips on her feet, she rendered me helpless with silk scarves, caused excessive pleasure that disturbed the neighbors ... I would scream her name, over and over ... But then, one evening, in a moment of exquisite miasmic torment (she had been wearing shoes all day) I cried out to my lost beloved, her glorious name ... desire and inspiration from the depths of my soul -- and that caused it all to grind to a halt. Over.

Alone I walked the streets, went to the pier and just stared ...

It was deep night, and the lights of the city made the water black ... I smoked a cigar and allowed my mind to drift back to the effulgent past ...

Chester, England ... Roman ruins ... A cozy pub where we my beloved and I drank frothy pints of ale and I answered articulately her questions about the English past ... Charles I and his fate ... Glorious revolution, etc. ... And then it rained, and her hair was wet and I wanted to make love to her atop the wall surrounding that ancient town ...

Philadelphia, after the end ... To a hotel I went, to drink away the memories.

III.

Thus have you heard me severed from my bliss,
That by misfortunes was my life prolonged
To tell sad stories of my own mishaps.

~ Shakespeare, The Comedy of Errors, I. I.

Life piled on life is all too much ... An excess of experience renders the present a place to be endured ... No fervor, just stoic endurance, the worst kind of existence.

Faulkner thought that our purpose on this earth is not to merely endure, but to prevail. Over what? My mishaps are indeed my own: I am cause and effect. It is impossible to hide from the light that never sets, as Heraclitus said. My personality is the shadow that walks before me ... To attempt to make art of one's misfortunes, of one's guilt, of one's irremediable losses ... Is that a desecration of an altar upon which one must sacrifice the self for salvation? Or is it a way of sanctifying impure elements?

In certain Gnostic myths the chaotic demiurge who created this idiotic cosmos will someday, we are told, be turned to the fullness of true divinity, and be given a place in the grand scheme of spiritual history. But that epistrofh will occur only after his illicit creation and its history is propelled to completion through its own internal, combustible force.

Listening to Van Cliburn play Prokofiev, I think how pleasant it must be to escape into someone else's art, to gain satisfaction from helping a great work to endure ... But to draw a great work from one's own personality: that is to prolong one's miseries and to dwell on past happiness ... It is, in short, to become neurotic.

Having no hope of heaven and no fear of hell, I have the space of the night in which to inscribe myself, to send out into the void some words that may resonate ...

The exorcism is not complete, will never be ... But the sun rises, and sleep overtakes me ...

Monday, March 24, 2014

Waldere (Anglo-Saxon poem, fragments I and II)

Translated by Edward Moore, Ph.D

This is my effort to render into poetic English the surviving fragments of a lost epic poem, originally composed in Anglo-Saxon (or 'Old English') circa 800 CE. Only these two fragments survive, and they are written in an extraordinarily difficult style, likely because the scribe who copied the original was not a native speaker of Anglo-Saxon (the parchment leaves containing these fragments were discovered in the Royal Library in Copenhagen (seehttp://en.wikipedia.org/wiki/Waldere for more information and references). The style I have adopted here is a sort of loose iambic pentameter (with some necessarily hyper-metrical verses) and as much internal alliteration as I could muster -- to try and preserve the spirit of the original -- without making the result ridiculous ... or so I hope.

I.

Yearning to hearten him, her[1] words flowed thus:
Surely the work of Weland will not betray
The man who wields Mimming, bears that mighty sword.
Many times were men felled by that fierce blade,
Their lives bled out on the field of battle.
Attila's lead fighter, let not your courage
Fail you this day! With valor fight and defend ...
For now the day has come, son of Aelfhere,
When you shall either lose your life or gain
Everlasting glory.

Never with words would I chide you, my friend,
For disgrace was never yours. No retreat
Have I ever witnessed.
To the walls you never attempted to flee
To save your body from the bloody fray,
No matter the numbers arrayed against you.
But ever further fighting you sought,
Battle beyond limit; I appealed to
The Almighty that you might not rashly run
To the sword's point, seeking yet more warfare.

With worthy deeds heap glory upon yourself,
As long as the Almighty holds you dear!
So do not distrust that sharp sword you hold;
To you it was given as battle-gift.
With it shall Guthere be given his due,
Since this strife was sought by him, unjustly,
Refusing as he did the gleaming gold,
The shining rings -- now shall be go ringless!
This battle he must abandon and set
Himself homebound, lest he go down to death ...

II.

"No sword is superior to the one
Which rests here in my jewel-encrusted sheath.
I know that the king Theodric once thought
To grant it to Widia as a gift
Along with gold and other adornments,
This because Nithad's kinsman, Widia,
Son of Weland, from captivity
Saved him; from the clutches of dread creatures
He hastened forth."[2]

Waldere the war-strong unlocked his word-hoard;
In his hands he held his grim protector,
Gripped it mightily and made his mind known:
"Listen, friend of the Burgundians, you
Foolishly thought that Hagen would finish me!
Take then (if you dare), war-weary as I am,
This corselet that covers my shoulders,
Alfhere's heirloom, of goodly design and
Glittering with gold. 'Tis worthy of a prince,
To save his soul-hoard from enemies' harm;
To me it will prove true, when unknown men
Meet me with hatred, seeking my demise,
As you yourself have done. Yet victory
Can be granted by God who is wise and
Well-versed in His own wisdom; he who trusts
In that holy one for help, turns to God,
He will be upheld, if a blessed life
He leads. Then lords, who rule over lands,
Will render rich reward to that hero.

Notes:

1. Hildegund, the betrothed of Waldere, is the speaker here. For the background story of these enigmatic fragments, see Jonathan Himes, The Old English Epic of Waldere (Cambridge 2009) of which a PDF sample is available online: www.cambridgescholars.com/download/sample/61038‎. Also, Francis B. Gummere, The Oldest English Epic (New York: 1923): http://elfinspell.com/Gummere/Waldere.html#topref10

2. The speaker here is Guthere, boasting of the superiority of his weapon to the famous Mimming, crafted by Weland, carried by Waldere. These lines are spoken at the beginning of their duel, the account of which is not, unfortunately, preserved in these fragments.